THE GORBACHEV ERA. IN ITS WAY THE LONG FAREWELL TO THE USSR: THE PLENARY SESSION OF THE CREATIVE UNIONS, PEOPLE’S FRONT, THIRD AWAKENING, BARRICADES IN OLD RIGA, THE RESTORATION OF THE INDEPENDENT LATVIAN REPUBLIC AND INTERNATIONAL RECOGNITION. YEARS OF MASS ENTHUSIASM, HOPES AND UNFORTUNATELY ALSO ILLUSIONS. ART FREES ITSELF FROM MATTER-OF-COURSE REALISTIC REPRESENTATION; IT GOES THROUGH “SOTSART” AND OTHER SHORT-LIVED FADS; IT STRIVES TO BECOME INTERNATIONALLY CONVERTIBLE; IT TRANSFORMS FROM REPRESENTATIVE TO THE VISUAL ARTS. THE UNWRITTEN SOCIAL LAW THAT HAD LATVIANS EXPRESSING SOLIDARITY WITH ART BY READING POETRY, GOING TO THE THEATRE AND EXHIBITIONS GRADUALLY LOSES ITS FORCE. ELEMENTS OF MARKET RELATIONS COME INTO THE WORLD OF ART.
SIGNS OF NEOEXPRESSIONISM AND THE NEW BRUTALITY
Aija Zariņa
Princess Gundega
1986. Oil on cardboard. 160×145
Igors Dobičins
Composition
1987. Bronze. 26x40x34
Andris Breže
Demagogue
1986. Screen print. 125×90
Ojārs Pētersons
Endless choice
1986. Screen print. 180×135
Jānis Mitrēvics
The meeting
1988. Oil on canvas. 190×190
Ilze Strekāvina
Nations above the whirlpool
1988. Oil on cardboard. 132×158
Džemma Skulme
Scarecrow
1987. Acrylic on canvas. 150×120
DECONSTRUCTION OF THE SOVIET SYSTEM OF SIGNS
Helēna Heinrihsone
Early morning in the town
1988. Oil on cardboard. 175×165
Ingrīda Drande
“1989…”
1989 Gouache on cardboard. 60×90
Juris Putrāms
Devil. From the series “Mummers”
1984/85. Oil on cardboard. 90×60
Sandra Krastiņa
Right dress! Attention!
1986. Oil on canvas. 200×100
Ivars Poikāns
Oh, you lucky people!
1988. Oil on cardboard. 71×97
Edgars Vērpe
The door
1987. Oil on canvas. 140×210
Andris Breže
My language – my home
1987. Tempera on cardboard. 60×90