1956–1963

THE YEARS KNOWN AS THE KHRUSHCHEV THAW. STALIN’S CULT OF PERSONALITY was PUBLICLY DENOUNCED AT THE 20th CONGRESS OF THE Communist Party of the Soviet Union HERALDING AN ERA OF EUPHORIA AND THE ILLUSION OF CREATIVE FREEDOM. SOVIET ARTISTS FOR THE FIRST TIME HAVE THE OPPORTUNITY TO BECOME ACQUAINTED WITH CURRENT WESTERN ART (PICASSO AND OTHERS). FEWER RESTRICTIONS ON LOOKING BACK AT THE ARTISTIC LEGACY INCLUDING THE EXPLORATION INTO MODERNISM IN THE FIRST DECADES OF THE CENTURY. NEVERTHELESS REPRESENTATIVE FIGURALISM PRESERVES ITS LEADING PLACE ON THE OFFICIALLY APPROVED SCALE OF VALUES. FORMALLY VARIED IT BECOMES KNOWN AS THE “HARSH STYLE”.

THE HARSH STYLE AS A VARIETY OF SOCIALIST REALISM

Boriss Bērziņš

Anniversary
Salacgrīva fishermen. 1961. Oil on cardboard. 102×81

Nikolajs Petraškevičs

The power of the earth
1963. Oil on canvas. 160×200

Josifs Elgurts

Master shipbuilder
1961. Paper, lithograph. 89×61

Edvīns Andersons

After work
1966. Paper, linocut. 110×80

Zigurds Zuze

When the Motherland calls
From the series “The People`s Army”. 1963. Paper, linocut. 36×36

Gunārs Krollis

Morning
1963. Paper, linocut. 67×48

EXPLORATIONS IN FORM BY YOUNG ARTISTS

Henrijs Klēbahs

The Old wall
1961. Oil on canvas. 84×63

Boriss Bērziņš

Autumn
1961. Oil on cardboard. 73×99

Pauls Duškins

Night on the river
1959. Paper, lithograph. 50×65

Laimdots Mūrnieks

A winter`s day
1963. Oil on canvas. 100×130

Leo Kokle

Portrait of nurse Vilcāne
1963. Oil on canvas. 92×65

Rita Valnere

Girls on a bench
1957. Oil on canvas. 100×160

Līvija Endzelīna

Vegetables
1962. Oil on canvas. 50×70